April 29 – June 28, 1992
Kunstverein Munich

Preliminary Room
– Untitled, 1990, two enamel plaques (Antwerp / Villes radieuses); 41 x 27 inches /
   85 x 39 inches; courtesy of Galerie Micheline Szwajcer, Antwerp
– Wall text
– Display case with documents about Le poème éléctronique by Edgard Varèse
– Cinema display case with documents about Anders als du und ich, § 175 by Veit Harlan

Central Exhibition Space
– Das unvollständige Gedicht, 1992, wood, painted; carpet, two glass doors with electronic
   closing mechanisms, motion detector, CD player with two loudspeakers (composition of
   Le poème éléctronique by Edgard Varèse, 8 min.); 178 x 204 inches; collection of
   Günther Lorenz, Munich
– Nomenklatur, 1992, two projectors with 123 small-format slides; courtesy of Galerie
   Christian Nagel, Cologne / Berlin
– Model of the Philips Pavilion at the World’s Fair in Brussels (1958) on a base
– Yellow wall element: ten original drawings, a photograph of Le Corbusier and for
   fragments of the score of Le poème éléctronique
– Pink wall component: eight works on paper, a photograph, two illuminated kinetic
   objects and an architectural model by Nicolas Schöffer

Side Room 1
– und in München, 1992, wall text; courtesy of Galerie Christian Nagel, Cologne / Berlin

Side Room 2
– Das Dritte Geschlecht (with Madeleine von Bernsdorff), 1992, video, 9 min.; courtesy of
   Galerie Christian Nagel, Cologne / Berlin
– Narrow passageway

February 16 – March 17, 1990
Galerie Micheline Szwajcer, Antwerpen  Antwerp

– Untitled, 1990, two enamel plaques (Antwerp / Villes radieuses); 41 x 27 inches /
   85 x 39 inches

– Three For Antwerp, 1990, three aluminum elements covered with a projection screen,
   three projectors with identical small-format slides; each 72 x 86 x 47 inches

– Promenade dans une Ville radieuse non realisée, 1990, artist book, silkscreen on
   cardboard (16 pages); 9 x 9 inches, edition of 125 Courtesy of Galerie Micheline
   Szwajcer, Antwerp

June 8 – July 13, 1989
Maison de la Culture et de la Communication de Saint-Étienne

Preliminary Room
– André Malraux, 1989, photograph, passe-partout, framed; 30 x 26 inches

Exhibition Space
– 17 concrete components, nine are planted with four-leafed clovers and eight are
   covered with red cloth