Since 2003, permanent
Powdermaker Hall, Social Sciences, Queens College, New York

Ground Floor
– Corn &, 2003, letters made of steel and porcelain enamel; height: 39 inches
– Wall painting
– Three tables, rust-free steel, finply, laminate, printed; 24 x 94 x 47 inches

First Floor
– Potatoes &, 2003, letters made of steel and porcelain enamel; height: 39 inches
– Wall painting
– Four tables, rust-free steel, finply, laminate, printed; 24 x 94 x 47 inches

Second Floor
– Rice &, 2003, letters made of steel and porcelain enamel; height: 39 inches
– Wall painting
– Four tables, rust-free steel, finply, laminate, printed; 24 x 94 x 47 inches

With a total of 60 stools with different coverings

As of May 2003
Campus Bard College, Annandale-on-Hudson

– Hudson Valley Tastemakers, 2003, steel, painted; six different types of soil from the
   Hudson Valley, seasonal plantings; 59 x 1181 x 47 inches

– Watershed Tastemakers, three dinners at different locations: Chef Gray Kunz and his
   crew at Dick’s Castle, 2002; Chef Mary Cleaver at Bear Mountain Inn, 2003;
   Chef Peter Hoffman at Glynwood Center, 2004

September 22 – October 31, 1999
Schleifmühlgasse, Vienna

Three-part installation
Part 1: Coffeehouse with reading material on the Freihausviertel

Part 2: Temporary museum with loans from institutions and private individuals in
the Freihausviertel
– Various objects, cordon, labeling, light switch, light bulb, four loudspeakers
– Eine Welt für sich (cooperation with ORF-Kunstradio), 1999, CD, 59 min.

Part 3: Historic archive with documents from residents of the Freihausviertel
– Eine Welt für sich, 1999, 30 photographs, passe-partout, framed;
   each 11 x 9 inches; courtesy Georg Kargl, Vienna

Listen to CD excerpts...

Since 1998, permanent
Campus of the University Lüneburg

Entry Hall
– Untitled, 1998, wall text, display case made of steel, glass, building plans;
   Display case: 44.5 x 20.75 x 122.75 inches

Library
– Der Campus als Kunstwerk, 1998, 101 silkscreens with 16 plaques with text,
   passe-partout, framed; each 29.5 x 21.7 inches

Computer Center
– Abteilung Prototypen (together with students), 1998, installation: ca. 200 prototypes
   of merchandising articles in a steel and glass display case and in a wooden bookshelf,
   desk, stool, lamps, timer, dimensions variable

February 14 – March 30, 1997
Kunstverein Hamburg (in conjunction with “weitergehen,” a project focus of the “Art in Public Space” program of the Cultural Authority of Hamburg)

Exhibition Space
– Was nahe liegt, ist doch so fern, 1997, four videos, four monitors on bases,
   loudspeakers, adhesive letters, different lengths 
– Ein gordischer Knoten, 1997, felt pen on transparent paper, framed; 47 x 47 inches
   Wall with ca. 1000 submissions from the photography contest
– Model of the Hamburg Art Mile, 1:200
– Additional exhibition contributions by Ulf Wuggenig and Tita Giese

Side Room
– Monsieur Muller, 1997, video, 18:09 min., camera: Jan Lackner;
   Art & Public — Cabinet P.H.

See Video...

June 2 – July 30, 1995
Platzwechsel (with Ursula Biemann, Tom Burr, Mark Dion)
Kunsthalle Zurich and Schweizerisches Landesmuseum, Zurich

Kunsthalle Zurich
– Zelle des Mystagogen, 1995, concrete, scrap wood, silk, plastic; 98 x 154 x 166 inches;
   courtesy of Galerie Christian Nagel, Cologne / Berlin

Schweizerisches Landesmuseum
(Loggia / Alcove Tower)
– Betretbare Form, 1995, granite from the Maggia Valley
– Panorama (with Ursula Biemann, Tom Burr, and Mark Dion), 1995, adhesive letters,
   dimensions variable

May 26 – September 29, 1991
Tabula Rasa, public space of Biel, Switzerland

– Bibliobus, 1991, bus, bookshelves, photocopier, two tables, plaques with text,
   adhesive film

– Six locations, each for three weeks
– Champagne Primary School, next to Bernhard Luginbühl, Aggression, 1962
– Rittermatte Secondary School, next to Hans Aeschbacher, Figur 1, 1955
– Vocational School, next to Jean Tinguely and Bernhard Luginbühl,
   Riesenkandelaber, 1975
– Strandboden High School, next to Ueli Berger, Jura, 1980
– Technical School, next to Arnold d’Altri, Die Schatten, 1956
– Seminar Linde, next to the Berner Arbeitsgemeinschaft, Farbige
   Baumruine, 1975